Neither as existentially bleak as the fabricated folklore of Time Out of Mind nor as waggish and vivacious as "Love and Theft"'s coin of the minstrel-boy realm, he radiates the observant calm of old masters who have seen enough life to be ready for anything--Yeats, Matisse, Sonny Rollins. On a music-first record that leavens blues shuffles with the moderate tempos and politely jazzy beat favored by Dylan hero Bing Crosby in the early '30s, the finest moment is the descending 16-note hook that runs through "Spirit on the Water." Though it belongs on a piano, it's usually stated on an acoustic guitar and then taken up by shifting combinations of standup-sounding bass and Dylan's touring band. Sometimes it fades out early, but it always comes back, and you want it to--for all eight minutes of the song. Nice though it would be for the title to indicate "current events," the likely reference is Charlie Chaplin's 1936 movie masterpiece. In both, a legendary entertainer does what he wants because nobody can stop him, and the world is better for it. (Grade - A PLUS)
- © R. Christgau/Village Voice